• tedious realism than that of Tolstoy or Turgenev. It lives and breathes

    from page to page with a swing and dash and go that they rarely attain. Their mantle has fallen on his young shoulders, and he promises to wear it royally. Even so, but so helpless, hopeless, terrible is this life of Foma Gordyeeff that we would be filled with profound sorrow for Gorky did we not know that he has come up out of the Valley of Shadow. That he hopes, we know, else would he not now be festering in a Russian prison because he is brave enough to live the hope he feels. He knows life, why and how it should be lived. And in conclusion, this one thing is manifest: Foma Gordyeeff is no mere statement of an intellectual problem. For as he lived and interrogated living, so in sweat and blood and travail has Gorky lived. PIEDMONT, CALIFORNIA. _November_ 1901. THESE BONES SHALL RISE AGAIN Rudyard Kipling, "prophet of blood and vulgarity, prince of ephemerals and idol of the unelect"--as a Chicago critic chortles--is dead. It is true. He is dead, dead and buried. And a fluttering, chirping host of men, little men and unseeing men, have heaped him over with the uncut leaves of _Kim_, wrapped him in _Stalky & Co._, for winding sheet, and for headstone reared his unconventional lines, _The Lesson_. It was very easy. The simplest thing in the world. And the fluttering, chirping gentlemen are rubbing their hands in amaze and wondering why they did not do it long ago, it was so very, very simple. But the centuries to come, of which the fluttering, chirping gentlemen are prone to talk largely, will have something to say in the matter. And when they, the future centuries, quest back to the nineteenth century to find what manner of century it was--to find, not what the people of the nineteenth century thought they thought, but what they really thought, not what they thought they ought to do, but what they really did do, then a certain man, Kipling, will be read--and read with understanding. "They thought they read him with understanding, those people of the nineteenth century," the future centuries will say; "and then they thought there was no understanding in him, and after that they did not know what they thought." But this is over-severe. It applies only to that class which serves a function somewhat similar to that served by the populace of old time in Rome. This is the unstable, mob-minded mass, which sits on the fence, ever ready to fall this side or that and indecorously clamber back again; which puts a Democratic administration into office one election, and a Republican the next; which discovers and lifts up a prophet to-day that it may stone him to-morrow; which clamours for the book everybody else is reading, for no reason under the sun save that everybody else is reading it. This is the class of whim and caprice, of fad and vogue, the unstable, incoherent, mob-mouthed, mob-minded mass, the "monkey-folk," if you please, of these latter days. Now it may be reading _The Eternal City_. Yesterday it was reading _The Master Christian_, and some several days before that it was reading Kipling. Yes, almost to his shame be it, these folk were reading him. But it was not his fault. If he depended upon them he well deserves to be dead and buried and never to rise again. But to them, let us be thankful, he never lived. They thought he lived, but he was as dead then as he is now and as he always will be. He could not help it because he became the vogue, and it is easily understood. When he lay ill, fighting with close grapples with death, those who knew him were grieved. They were many, and in many voices, to the rim of the Seven Seas, they spoke their grief. Whereupon, and with celerity, the mob-minded mass began to inquire as to this man whom so many mourned. If everybody else mourned, it were fit that they mourn too. So a vast wail went up. Each was a spur to the other's grief, and each began privately to read this man they had never read and publicly to proclaim this man they had always read. And straightaway next day they drowned their grief in a sea of historical romance and forgot all about him. The reaction was inevitable. Emerging from the sea into which they had plunged, they became aware that they had so soon forgotten him, and would have been ashamed, had not the fluttering, chirping men said, "Come, let us bury him." And they put him in a hole, quickly, out of their sight. And when they have crept into their own little holes, and smugly laid themselves down in their last long sleep, the future centuries will roll the stone away and he will come forth again. For be it known: _That man of us is imperishable who makes his century imperishable_. That man of us who seizes upon the salient facts of our life, who tells what we thought, what we were, and for what we stood--that man shall be the mouthpiece to the centuries, and so long as they listen he shall endure. We remember the caveman. We remember him because he made his century imperishable. But, unhappily, we remember him dimly, in a collective sort of way, because he memorialized his century dimly, in a collective sort of way. He had no written speech, so he left us rude scratchings of beasts and things, cracked marrow-bones, and weapons of stone. It was the best expression of which he was capable. Had he scratched his own particular name with the scratchings of beasts and things, stamped his cracked marrowbones with his own particular seal, trade-marked his weapons of stone with his own particular device, that particular man would we remember. But he did the best he could, and we remember him as best we may. Homer takes his place with Achilles and the Greek and Trojan heroes.. . . . . . .


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